Okay. So we are not done. Not yet. So let me diverge on slightly Emily Carr-related subjects once more.
A defining moment in Carr's life was reached while in France for a total of 14 months. There, she encountered the works of Matisse, a Fauve movement artist. A few years ago, I got to see works by the fauves at the Musée des Beaux-Arts de Montréal. I liked how daring it must have been to use such bold colors at the time, and the results themselves were gorgeous.
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"Portrait of a Cabaret Singer" by Fauve artist Kees van Dongen |
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In 2009 in front of the Musée, dorky art-geek smile and all! |
Personally, I see the influence of such works on my own colour choices as an artist who occasionally paints. For example this portrait of my cousin Jessica (on a side table) features her in a Fauve-like palette.
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Claire Gallant, "Jessica" (2012) |
As for Emily Carr, you can clearly see the influence of the Fauves in paintings such as "Autumn Trees".
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"Autumn Trees" by Emily Carr |
Although not a traditional exemple since it was produced later in Carr's life, I find the painting "Sky" (below) to also be fairly Fauvist, although maybe more Impressionist or reminescent of Vincent Van Gogh.
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"Sky" Emily Carr (1935-36) |
This all goes, again, to prove that artists live in all but an ivory tower. Oh the permeability of ideas!
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